Poetry, Passion, People and a Plan: EVENT Interviews George Elliott Clarke
George Elliott Clarke is a seventh-generation Canadian of African-American and Mi’kmaq Amerindian heritage. Born in Windsor, Nova Scotia in 1960, […]
George Elliott Clarke is a seventh-generation Canadian of African-American and Mi’kmaq Amerindian heritage. Born in Windsor, Nova Scotia in 1960, […]
Stuart Ross published his first literary pamphlet on the photocopier in his dad’s office one night in 1979. Through the […]
Happy holidays from EVENT! Looking for something special for the reader who has everything? From now until January 31, 2015 […]
Jordan Abel is a Nisga’a writer from Vancouver, where he is in the process of pursuing a Ph.D. at Simon Fraser […]
We’re happy to bring you an interview with Renée Sarojini Saklikar, writer, poet and EVENT Advisory Board member. Her first […]
This review first appeared in EVENT 42/3. Michael Crummey, Under the Keel: Poems (Anansi, 2013) Michael Mirolla, The House on […]
In order to whet your appetite for our current issue, we’ve decided to release one of two poems by poet/critic […]
This review originally appeared in EVENT 42/2. Jessica Hiemstra, Self-Portrait Without a Bicycle, Biblioasis, 2012 Ludwig Zeller, Trans. A.F. Moritz, […]
Our latest Contest issue, EVENT 42/3, is now available at newsstands and in our new online store. 42/3 features the […]
Sachiko Murakami is the poet responsible for The Invisibility Exhibit (Talonbooks, 2008) and Rebuild (Talonbooks, 2011). She is the poetry […]
Happy holidays from EVENT! On days this frosty, nothing beats staying inside with a hot mug of tea and some […]
Word Vancouver has come and gone, wrapping up last (rainy) Sunday. Fortunately the organizers managed to move the exhibitors and most of the programming inside the downtown Vancouver Public Library. We at EVENT sponsored a little shindig featuring Anne Fleming and Billeh Nickerson reading from their Notes on Writing pieces in our last issue (EVENT 42/1). Notes on Writing, a yearly feature in EVENT since 1989, allows writers extraordinary freedom to write whatever they want, however they want, about their craft and writing life.
We laughed (a lot). We cried (not much). Anne shared why ‘Novels Are for Children,’ and mentioned the special place in her heart she has for EVENT, home to her first published work; and Billeh dealt with the occasional interruption while reading with grace and humour. Check out a selection from Billeh’s piece, ‘Shelagh Rogers Called Me a Slut on CBC and Other True Stories,’ below.