What We Both Know: Hannah Macready Interviews Fawn Parker

 •  May 4

In front of me are hundreds of pages of work. Already I feel it leaving me. He will obliterate what is there, replace it, deny I ever wrote a...

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Anuja Varghese Reviews Short Story Collections By Jack Wang and Silmy Abdullah for EVENT 50/2

 •  April 1

Anuja Varghese Reviews: Jack Wang, We Two Alone, House of Anansi Press, 2020Silmy Abdullah, Home of the Floating Lily, Dundurn Press,...

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Rebecca Păpacuru Reads “Unbecoming” for EVENT 50/3

 •  March 8

REBECCA PĂPUCARU’S first collection of poetry, The Panic Room (Nightwood Editions, 2017),was a finalist for the A.M. Klein Prize for...

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Jessica Rose Reviews Non-Fiction From Christa Couture and Claire Legendre For EVENT 50/2

 •  February 14

Jessica Rose Reviews: Christa Couture, How to Lose Everything: A Memoir, Douglas & McIntyre, 2020Claire Legendre, Trans. David Homel, The Lily...

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Carolyn Nakagawa Reviews Three Poetry Collections For EVENT 50/2

 •  February 14

Carolyn Nakagawa Reviews: Lily Wang, Saturn Peach, Gordon Hill Press, 2020Jen Sookfong Lee, The Shadow List, Wolsak & Wynn, 2021Sachiko...

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2021 Non-Fiction Contest Winners

 •  February 13

EVENT is proud to announce the winners of our 2021 Non-Fiction contest, judged by David A. Robertson. FIRST PLACE ($1,500): Penance,...

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Véronique Darwin Reviews Translation By Melissa Bull and Katia Grubisic for EVENT 50/2

 •  February 1

Véronique Darwin Reviews: Marie-Sissi Labrèche, Trans. Melissa Bull, Borderline, Anvil Press, 2020 Ioana Georgescu, Trans. Katia Grubisic,...

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From Issue 50/1: Read An Excerpt From Liz Harmer’s “The Bowerbird: A Tale”

 •  December 14

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This Is My Real Name: Hannah Macready Interviews Cid V Brunet

 •  December 2

CID V BRUNET spent their twenties stripping in clubs across Canada. They received a degree in creative writing from Douglas College and went on...

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On Beginnings: The Art of Getting Started

 •  October 5

Beginnings are the start of something new. A fresh take. A chance to try your hand at an unfamiliar style, form, or voice. We begin when we start a...

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