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Illustrations by @christinewsart for @heatherofnol Illustrations by @christinewsart for @heatherofnoland’s poem, “Salt Fish” in EVENT 48/3
Read Andrew MacDonald’s reviews of Derek Mascare Read Andrew MacDonald’s reviews of Derek Mascarenhas’ “Coconut Dreams” and Elise Levine’s “This Wicked Tongue” from EVENT Issue 48/3, online now at eventmagazine.ca 🌴
If you know of Canadian writers doing online readi If you know of Canadian writers doing online readings, workshops, or any accessible art sharing during the pandemic, please send us a link (by email, DM, tweet, etc) and we will feature them in our next newsletter. Let’s spread creativity in this strange time!
“What a burden to think that, along with talent “What a burden to think that, along with talent and the will to work, experience was a constituent ingredient of writing, like terroir is for wine.” - Philip Huynh explores what it means to live a writer’s life in our Notes on Writing issue. Read the rest by ordering your copy of EVENT 48/3 through the link in our bio. 💫
Many businesses, events, and artists have been imp Many businesses, events, and artists have been impacted by the pandemic. If you are able, consider buying books from some of the #GrowingRoom2020 artists that lost their gigs due to closures. Buy directly from @roommagazine online and remember that @massybooks is doing home deliveries for themselves and @macleodsbooks during this time. Stay safe and keep reading! Knowledge is an eternal resource.
Art by @christinewsart for @fawncgparker’s story Art by @christinewsart for @fawncgparker’s story, “Feed Machine” in EVENT 48/3
“Perhaps the greatest fallacy of markets is that “Perhaps the greatest fallacy of markets is that if an artist makes queer work, that work will only be sellable to queer audiences.” - @notvanishing’s Notes on Writing essay, “Unmarketable Lives”, from EVENT 48/3 🌔
@by_teresawong’s Notes on Writing contribution i @by_teresawong’s Notes on Writing contribution is a visual essay on harnessing creation. See the full piece in our current issue, EVENT 48/3 (link in bio)
Congratulations to the winners of our Non-Fiction Congratulations to the winners of our Non-Fiction contest! And a huge thank you to our guest judge Anthony Oliveira. You can read these winning essays in EVENT 49/1, which will be released in spring/summer ☀️
“But on the days when the writing does not come, “But on the days when the writing does not come, I do feel hopeless. I feel like a conch who, lifted to your ear, cannot sing to the ocean.” - @johnstintzi from our Notes on Writing issue. Read the full essay in EVENT 48/3 🌱
Our annual used book sale is coming up March 16-2 Our annual used book sale is coming up March 16-20. Join us in the @douglascollege concourse to browse our selection of books, collected from Canadian authors and academics throughout the year. The selections are phenomenal!
Illustrations by @christinewsart in Issue 48/3, ac Illustrations by @christinewsart in Issue 48/3, accompanying Giles Slade’s poem, “Mindfulness for Beginners” 🌱
Issue 48/3 is on its way to your mailbox! Have you Issue 48/3 is on its way to your mailbox! Have you received your copy yet? Send us a photo of your new issue and we’ll send you photos of puppies. #Puppies4EVENT
We are pleased to announce our 2019 Non-Fiction Co We are pleased to announce our 2019 Non-Fiction Contest shortlist! Congratulations to those included and a big thank you to our guest judge @meakoopa. The contest winners will be announced in the next two weeks, stay tuned!
Did you know that each issue of EVENT contains han Did you know that each issue of EVENT contains hand drawn illustrations? If you know a talented illustrator looking for publication, tell them to visit our submissions page. This image comes from @ingrid.skare who illustrated EVENT Issue 48/1.
The time has come! Issue 48/3, our Notes on Writin The time has come! Issue 48/3, our Notes on Writing issue, is finally here! Find essays from Philip Huynh, John Elizabeth Stintzi, Lindsay Nixon, and Teresa Wong, along with moving poems, stories, and illustrations. Support your local literary magazines by signing up for a subscription, or buy the single issue through the link in our bio.
Read the full interview at eventmagazine.ca or by Read the full interview at eventmagazine.ca or by clicking the link in our bio 🌟 And don’t forget to get tickets to Growing Room festival March 11-15
On the EVENT Blog: Community Matters at Growing Ro On the EVENT Blog: Community Matters at Growing Room 2020: Hannah Macready Interviews Jessica Johns— “The future is queer. The future is Indigenous. The future is Black. The future is artists of colour. The original storytellers have never been a part of CanLit; we were never invited, were never allowed to be. So while the trash-fire of CanLit burns on, we’re warming our hands on it and walking away in the footsteps of our community members who have been clearing the way for us for years and years. I hope places like the Growing Room festival, or what I think Growing Room to be, is a place we can all walk to show up as ourselves and just celebrate the fuck out of each other.” Click the link in our bio to read more!
This land has history. Art by @cmoshin from EVENT This land has history. Art by @cmoshin from EVENT 46/3 🌲
Struggling through a difficult project? We put tog Struggling through a difficult project? We put together a blog that outlines creative self-editing techniques that may just help you out of the muck! Click the link in our bio to read these Tips for Self-Editing, With Words from EVENT’s Editor
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